Clearance

Written by Anita Sullivan. Directed by Catriona Murray. Redirected for tour by Ben Harrison.

1st – 5th May 1996 / 14th – 30th November 1996

First performed in May 1996 at the Traverse Theatre, Edinburgh then The Wynd Theatre, Melrose, Bowhill Little Theatre, Selkirk and The Arches in November 1996.

Clearance takes place on the lawn in front of Lord A’s country house which has been repossessed following newspaper rumours concerning his profligacy.

Amidst the chaos of the cleared furniture a woman and a boy appear to be telling stories to pass the time. It soon becomes apparent, however, that their stories award them a strange power, an ability to change shape, cause physical harm and alter the course of events.

The Queens arrives, unaware that the Lord’s biannual dinner has been cancelled. She is confused and displaced, saddened by damaging reports about her family in the tabloid press. She gradually realises the power of the place and the stories and grows comfortable with the unusual surroundings.

The woman is anxious to take the boy into the city so that he can adjust to a normal twentieth century existence but he sees only the horror and violence in her thoughts. The woman is angry at the world and accuses The Queen of complacency, demanding to know why such a powerful family does nothing to cure any of society’s ills. The Queen suggests the woman takes her place and gather the information they would need to tell the story which could change the world.

Clearance encapsulates the lush atmospheric landscape of the Scottish Borders, with a haunting score inspired by traditional ballads.

Clearance poster
What The Press Said

“Grid Iron’s show is a fascinating model of a new shape for political theatre in Scotland… In fact, Clearance is such a multi-layered piece that applies elements of our heritage to the contemporary state of the nation, that it will be most intriguing to see what the company come up with next. Anita Sullivan’s play is a rich brew… this is a show that works as much in the tiny details of text and action. Their execution by Claire Cochrane, Bobbie Robertson, and 14-year-old Geoffrey Lee, down to the fleeting facial expressions and the enunciation of single words, is the piece’s real joy.”

“A disturbing new Scottish play… There is something about class here, something about the limits of creativity, something about the extreme danger of loving, or of trying to do good… Claire Cochrane, Bobbie Robertson, and young Geoffrey Lee, superb as the weird boy, give a trio of memorably sure-footed and deeply-felt performances… Carmen Wright’s lighting, Swelling Meg’s live music, and Mirella Weingarten’s simple, bleached set design are all beautiful and haunting; and Sullivan establishes herself as a strange new presence in Scottish theatre writing, an original talent to watch.”

“The white-draped set and the serene live music create an evocatively timeless atmosphere, as we’re kept guessing as to just who the woman and the boy actually are. The boy especially – is he flesh-and-blood or ghost?”

“haunting… stylish, slick… Fourteen-year-old Geoffrey Lee gives a brave and unselfconscious central performance as the boy, while a special note must go to Edinburgh Festival Fringe Director Hilary Strong, here getting back to her roots as the mythical queen… the imagination can never be free enough, and it’s important to see the fledgling Grid Iron company being bold enough to enter such tantalising psychological waters.”

Cast

MAY 1996

Boy:
Geoffrey Lee

Woman:
Claire Cochrane

Queen:
Hilary Strong

Bodyguard:
James Dickson

Henry, Guard:
Ian Hanmore

Joe, Journalist:
David Hunter

Live Music:
Cora Bissett, Amy Duncan and Sean Kennedy (Swelling Meg)

NOVEMBER 1996

Boy:
Geoffrey Lee

Woman:
Claire Cochrane

Queen:
Bobbie Robertson

Bodyguard:
Doug Russell

Live Music:
Sean Kennedy, Cora Bissett and Donald Gillan

Production Team

MAY 1996

Director:
Catriona Murray

Producer:
Judith Doherty

Designer:
Mirella Weingarten

Costumes:
Karen Funnell-Bailey

Recorded Music:
Stephen Maslin

Stage Manager:
Seonaid Marshall

Deputy Stage Manager:
Tricia Maclean

Assistant Stage Manager:
Dan Sansome

Technician:
Paul McCabe

Production Assistants:
Carolyn Mathers and Emily Abbott

Photographs:
Andy Secchi

NOVEMBER 1996

Director:
Ben Harrison

Producer:
Judith Doherty

Set Design:
Mirella Weingarten

Costume Design:
Bridget Webster

Lighting Designer:
Carmen Wright

Stage Manager:
Dan Sansome

Deputy Stage Manager:
Tricia MacLean

Assistant Stage Manager:
Nik Januirek

Technical Director:
Bill Coghill

Recorded Music:
Stephen Maslin

Production Assistant:
Laura Cockcroft

Press and Publicity:
Isabel Davies

Photographs:
Andy Secchi and Sean Hudson

Print Design:
Emma Quinn

Supporters

The production was kindly supported by the following…

FUNDED BY FOUNDATION FOR SPORT AND THE ARTS.

Clearance was also made possible by in-kind support from The Point Hotel, Walker Slater, Ruth Pollitt, PAR Scaffolding, Avalon Stage Armoury and Fife Silica Sands.

Past Productions

The productions are listed in chronological order with the most recent first.

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