Crude:
an exploration of oil

Written and directed by Ben Harrison

A large-scale, site-responsive theatre production investigating the oil industry.
Performed in a huge former oil-rig manufacturing shed in the Port of Dundee.

8th – 23rd October 2016

Shed 36 in the Port of Dundee

Focusing on the lives of offshore workers and the choices they make to work on the industrial islands of the North Sea, Crude travels to the Niger Delta and the Arctic Circle to look at the global impact of oil production and its human and ecological cost.

Written and directed by Ben Harrison, the play traces not only the history of oil but also our addicted reliance on the by-products of the black gold: our cars, our aeroplanes, our plastics that surround and almost literally wrap anything we do.

Bringing together a cracking cast of seven, Crude’s actors include Grid Iron first timers: Band of Brothers and Silent WitnessPhil McKee, Neil John Gibson, Sarah Bebe Holmes, Brad Morrison (who had worked in the oil industry before launching his acting career), Tunji Lucas (Aaron in Dundee Rep’s Titus Andronicus) as well as returning stars of previous Grid Iron productions: Itxaso Moreno (Once Upon a Dragon, Roam and Fermentation), Kirsty Stuart (Spring Awakening). Pippa Murphy joins the Crude’s creatives as the music composer, Paul Claydon as Lighting Designer with Becky Minto as set and costume designer. Lewis den Hertog follows last year’s success of Fringe First-winning Light Boxes and comes back as the video designer for Crude.

Ben Harrison, writer and director of Crude said: “’At the time of the longest continuous downturn in the history of oil production in the North Sea, it is an appropriate moment to consider Scotland and the world’s connection with and reliance on hydrocarbons. The presence of oil has been both a blessing and a curse since its discovery in the 19th century, and for Scotland it throws up huge and important issues about natural resource control and who benefits from the production of oil and gas in the North Sea. Crude centres on the lives of offshore workers and their families and the huge pressure the two weeks on two weeks off work pattern puts on family life. The deeper I have gone into the research, the more I have discovered how profoundly modern life is entwined with the story of oil- not just the stuff we put in our cars and aeroplanes, but also our plastics, cosmetics, pharmaceuticals, clothing, food…there is very little that surrounds us and makes us comfortable that is not connected with petrochemicals. For offshore workers, there are financially attractive opportunities globally, which become more attractive the longer the downturn lasts, but these opportunities can happen in some of the most dangerous places on earth, both environmentally and politically. The show, whilst rooted in the North Sea, travels to these places also and asks moral and political questions about resource control, risk and reward, and leaving it in the ground versus continuing with our complex, oil-addicted lifestyles.”

The atmospheric Shed 36 in the Port of Dundee serves as the epitome of a set for Crude. In the past, it has homed Caledon Shipbuilding and Engineering Company which, trading for over a century between 1874 and 1981, had built over 500 ships. Oil tycoons such as Kestrel Marine or Davy Offshore have employed the Shed for ship and rig production over the years but the vagaries of the industry saw them going into liquidation. Since then, for a couple of years the space was used as a grain store until Rigmar moved in and yet again the Shed served as a home to oil industry.

Crude - Poster
What The Press Said

“Technically stunning on all levels, from Paul Claydon’s lighting to Pippa Murphy’s deep throbbing sound, it sucks you along a path of white hard hats and hanging chains. Outside there are real exploration rigs, giving scale to the whole endeavour.”

“A masterful exploration of the destructive power of oil… with its colossal machinery, towering roof and, most importantly, three gigantic oil exploration rigs twinkling like weird waterbound UFOs in the dock outside, Crude has one of their strongest connections between theme and place yet…. a breathtaking piece of theatre, at once alluring and appalling, raising uncomfortable truths but addressing them with intelligence, sophistication and compassion – and with a swaggering sense of self-confidence that’s a brilliant match for its subject matter.”

“Crude is a show so timely in its theme, and so ambitious in scale, that it remains an unforgettable experience.”

“Grid Iron’s subject is huge, and the scale of Crude’s ambition reflects that … when the play draws to a close, that audience doesn’t stop clapping a charismatic cast among whom Phil McKee and Kirsty Stuart particularly excel. Harrison’s direction, Becky Minto’s set & costume design, and the music, sound and video design of Pippa Murphy and Lewis den Hertog provide a setting that lets them all shine. And as the buses drive us back to the city centre past rigs floating like space stations somewhere between an inky sky and crude-black water, there’s a murmur among the riders that suggests we’ve seen theatre that is not just accomplished, but important.”

Video

View the trailer for Crude here…

Cast

Mike: Phil McKee

Texas Jim: Neil John Gibson

Joel: Tunji Lucas

Kerry/Angela: Kirsty Stuart

John: Brad Morrison

Camila: Itxaso Moreno

Oil Mermaid/Russian Official: Sarah Bebe Holmes

Cathy (on video): Orla Bayne

Production Team

Writer/Director:
Ben Harrison

Producer:
Judith Doherty

Assistant Director:
Tom Birch

Set & Costume Design:
Becky Minto

Music & Sound Design:
Pippa Murphy

Lighting Design:
Paul Claydon

Video Design:
Lewis den Hertog

Aerial Choreography:
Sarah Bebe Holmes

Production Manager:
Fiona Fraser

Technical Manager:
David Graham

Company Stage Manager:
Mickey Graham

Stage Management:
Kara Jackson

Stage Management:
Anne Page

Sound Engineer:
Maura ‘Fuzz’ Guthrie

Video Technician:
Andy Reid

Aerial Performance Consultant & Rigger:
Imogen Michel

Wardrobe Assistant:
Carys Hobbs

Production LX:
Kate Hall

Production LX:
Sanne Noppen

Finance & Development Manager:
Deborah Crewe

Front of House:
Rob McDonald

Set Build:
Kris Smart & Lenny Shittet

Print Design:
Emma Quinn

PR & Marketing:
The Corner Shop PR

Print Photography:
Chris Close

Production Photography:
Eoin Carey

Development Workshop:
Gail Watson, Itxaso Moreno, Stephen McCole, Stuart Porter, Becky Minto, Mickey Graham, Brad Morrison, Helen McKay, Phil McKee, Tunji Kasim, Kara Jackson

Supporters

The production was kindly supported by the following…

Creative Scotland - logo
Forth Ports - logo
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